Poetry and sensuality take pride of place in this production of Rusalka, created for the Paris Opera in 2001.

Entracte Réalité et surnaturel, terre et eau, humains et êtres immatériels se côtoient dans cet opéra d’un onirisme proche du sublime.

Third Part

World premiere: National Theater, Prague, 1901.

Poetry and sensuality take pride of place in this production of Rusalka, created for the Paris Opera in 2001.

203 (op.

The only one of Dvořák’s operas to gain an international following (so far), Rusalka is in many ways a definitive example of late Romanticism—containing folklore, evocations of the natural and the supernatural worlds, and even a …