Qobuz

Crebassa studierte Gesang und Klavier am Conservatoire de Montpellier, sowie Musikwissenschaft an der Universität Montpellier An offbeat choice, recommended for those who enjoy this rather intimate corner of the operatic repertory. It's a quality that singers develop over time (sometimes, in France especially, with actual cigarette smoke), but to hear it birthed full-grown is a rare and delicious experience. But this too supports the expressive goals of a French song recording in which everything comes together.

The contributions of the Mozarteum Orchester Salzburg under Marc Minkowski are a major plus, as is the engineering, executed on the orchestra's home ground. Inhaltsverzeichnis. The venue is not French, but Austrian: the Großer Saal at the Mozarteum in Salzburg. Dezember 1986 in Béziers) ist eine französische Opernsängerin (Mezzosopran). Crebassa finds some marvelously sensuous arias, such as one from Ambroise Thomas' Psyché (1857), which is little known outside France. 1 Leben. 2017 gab sie in Salzburg ihr umjubeltes Rollendebüt als Mozarts Sesto unter Teodor Currentzis und in der Regie von Peter Sellar… The "secrets" denoted by the title of this release on the increasingly productive Erato/Warner Classics are not repertory items, but the inner thoughts inspired by the music for mezzo-soprano Marianne Crebassa; the pieces on the are mostly well-known French mélodies.
2012 gab Marianne Crebassa ihr Salzburger Festspieldebüt als Irene (Tamerlano) in konzertanten Aufführungen an der Seite von Plácido Domingo. It's a quality that singers develop over time (sometimes, in France especially, with actual cigarette smoke), but to hear it birthed full-grown is a rare and delicious experience. This is a collection of arias for what are referred to in the English translation of the booklet notes by the rare term "travesty roles," but are better known as "pants roles." The main strength of the album is the program: Crebassa starts with some Mozart examples, not all of them terribly familiar, and moves forward through the Romantic era as far as Reynaldo Hahn. This is not to say that Crebassa is a vocal machine insensitive to text. Qobuz EUR 24,99* Marianne Crebassa - Oh, Boy! This is not to say that Crebassa is a vocal machine insensitive to text. The graphics clarify the rather curious title of this release by French mezzo-soprano Marianne Crebassa. The contributions of the Mozarteum Orchester Salzburg under Marc Minkowski are a major plus, as is the engineering, executed on the orchestra's home ground. This is a collection of arias for what are referred to in the English translation of the booklet notes by the rare term "travesty roles," but are better known as "pants roles." Qobuz

2008 gab sie 21-jährig ihr Bühnendebüt an der Opéra National de Montpellier in Robert Schumanns Manfred unter Hervé Niquet. © TiVo Crebassa finds some marvelously sensuous arias, such as one from Ambroise Thomas' Psyché (1857), which is little known outside France.


Qobuz She seems a bit mechanical in the Italian-language arias but often puts the French material across convincingly. The main strength of the album is the program: Crebassa starts with some Mozart examples, not all of them terribly familiar, and moves forward through the Romantic era as far as Reynaldo Hahn. © TiVo