Movements/Sections Mov'ts/Sec's: 1 pavan Composition Year 1887 Genre Categories: Pavans; For orchestra; Scores featuring the orchestra; For mixed chorus, orchestra; Scores featuring mixed chorus; For chorus with orchestra; French language; For flute, oboe, clarinet, bassoon, horn, violin, viola, cello, double bass (arr); For 9 players (arr); Scores featuring the flute (arr); Scores …

The standard of playing for the intermediate parts is based around ABRSM Grade 1-3.In most cases, the Grade 4-5 optional piano accompaniment parts will fill in any gaps, and will be useful for rehearsals or even in performance alongside an ensemble performing entire beginner and/or intermediate parts.Notes on Grade 4-5 parts (Written by arranger Gareth Glyn)All the arrangements present a short (3-minute) excerpt or abridgment of the work named in the title, and have been conceived in such a way that many different combinations of instruments can be successfully employed in playing them, even if your school hasn't got one or more of the instruments shown on the score.The standard of playing necessary is about ABRSM Grades 4/5, though some parts may be marginally easier or trickier in places. All data collected using this site for commercially published use should be confirmed and verified by contacting the New York Philharmonic Archives. - This part could be doubled by flutes or oboes if there are enough of them to go around. — As published until Op.9. Gradually all of the instruments come in and the piece gets louder and louder. This enables you to involve players of different abilities in one ensemble, all performing the same piece.Whereas the Grade 4-5 arrangements are around 3 minutes each, the beginner parts are between 60-90 secs, allowing for the stamina of a young musician who is used to playing pieces of similar duration.The beginner and intermediate arrangements have been orchestrated for many different instruments, from flute to ukulele, however many different combinations of instruments can be used, even if your school has one or more that is not listen in the score!The standard of playing for the beginner parts is based around the first few notes I'd expect the musician to learn, and basic semibreve, minim, crotchet, quaver rhythms.

- This being a demanding instrument, rather rare in the school orchestra, it is generally doubled in the arrangements by the tenor horn in E♭, which has its own stave and part (see below). Date — the year(s) of composition, where known. 26 July 2020 - 162,000 works have scores or parts on Petrucci Music Library.

30 July 2020 - IMSLP now has 63,000 recordings.

Stravinsky in fact grew up to be one of the most important and influential composers of the 20th Century. Please correct and try again.

ERROR: You must enter a word or phrase on which to search.

As much as possible, I have also tried to move to adjacent notes/strings, thus avoiding big leaps. Igor Stravinsky was a Russian composer, pianist and conductor. The serene horn solo at the beginning then the harps come in. Petrushka (Stravinsky, Igor) This work is most likely NOT public domain in either Canada and other countries where the term is life+50 years (like China, Japan, Korea and many others worldwide), or the EU and in countries where the copyright term is life+70 years. There is, if required, a part for 2nd Horn in F, which duplicates that of the Tenor Horn. 1908-09 First Perf ormance.

- Any other bass-clef C instrument (bassoons, cellos and the like) playing from this part will be doubling it an octave higher; this will do no harm at all, and often it would be better to have something on this line than nothing at all.

Duration: 4 minutes Stravinsky … The table below gives the following information for works by Igor Stravinsky (where applicable): Opus No. Key — the principal key of the work. - Other than soprano saxophones, which are highly unlikely to be found in a school orchestra, there are no obvious contenders to join the clarinets on this line.

The New York Philharmonic is not responsible for the unauthorized use of any information.Explore programs, scores, images, and business documents.

The writing, and the range, will generally be unsuitable for at-pitch B♭ instruments such as the trumpet or cornet; and lower B♭ instruments such as the euphonium shouldn't use this part as the sound will be muddied by the lower octave.