The paint layer of Le Lyon, ayant faim, se jette sur l’antilope is in very good condition, but visually somewhat compromised by an accumulation of dirt and minor damages which have occurred over time. Through exhaustive testing, an alternative cleaning method was found using dry, synthetic latex sponges. ‎ (7", EP, Mono, RP) Philips, Disques Salvador: 432.736 BE: France: 1962: Sell This Version: 432.736 BE: Henri Salvador: Le Lion Est Mort Ce Soir ‎ (7", EP) Philips, Disques Salvador: 432.736 BE: France: 1962: Sell This Version: Recommendations Reviews Add Review [m777151] Master Release. Exhaustive research was necessary to develop a suitable conservation strategy. As a result, the painting again showed its original depth and strength of color. Unlike the Impressionists and Post-Impressionists, Rousseau did not deconstruct pictorial motifs into shimmering dabs of color and light.

Artists like Pablo Picasso, Fernand Léger, Vasily Kandinsky, Joan Miró, and Max Ernst were profoundly influenced by his paintings. This is a completely new observation about Rousseau's painting methods and will be researched further after the conservation project is finished. 200.0 x 301.0 cm, Oil on canvas, Photo: Robert Bayer

- Sun. Les archives de la RTS 1,284,735 views. The main goal of the conservation was the removal of a thin, grayish film of dirt, as well as whitish blanching that had developed locally on the surface. Henri Rousseau, byname le Douanier (French: “the Customs Officer”), (born May 21, 1844, Laval, France—died Sept. 2, 1910, Paris), French painter who is considered the archetype of the modern naive artist. Henri Salvador: Le Lion Est Mort Ce Soir / Twist S.N.C.F.

To that end, the soiled surface had to be cleaned with dry synthetic sponges. Die Megapixel-Ansicht angeboten durch das Google Cultural Institute Henri Rousseau (1844–1910) was one of the most unconventional artists of the late 19th century. Edit Master Release Data … The resulting “crumbs” of the sponge bound the superficial dirt within them (figure 3). Henri Rousseau, Le lion, ayant faim, se jette sur l'antilope (The Hungry Lion Attacking an Antelope), 1899 The conservation of the painting was completed in little over a year. The artist's application of paint is now visible in its finest nuances. A comparison of the sponge crumbs used for cleaning — unused (left) and used on the paint layer (right) — show how much surface dirt could be removed and bound within the material of the sponge.The soiled but delicate layer of paint had to be cleaned without using any solvents or moisture. The Metropolitan Museum of Art, NY.

The artist would first draw in the formal elements with a pencil, then paint the main composition with dark Prussian blue in oil before going on to the painting process. Inconnu en France (et pour cause), il célèbre la révolte des villes flamandes contre l’occupation cruelle que leur fait subir Philippe le Bel, roi de France, en plus … Mon. In the last step, the many tiny losses in the paint layer — hardly visible to the visitor, yet so numerous that they disturbed the overall impression — were first filled, then retouched. Data Correct Apr 22, 2012 - The Repast of the Lion, Henri Rousseau (le Douanier) (Laval 1844–1910 Paris), ca 1907, Oil on canvas. 4:35. These were gently wiped over on the painting’s surface (figure 2). She Sings For Her Dying Dad... Don't Cry :( - Duration: 4:35. 12th-century painters - Gospels of Henry the Lion (detail) - WGA15927.jpg 800 × 852; 108 KB. Though it was likely finished in 1898 for the Salon des Indépendants, it was first given a place of honor at the 1905 Salon d'Automne. Only in the 20th century did he earn recognition for his work, especially in avant-garde circles.

A chemical analysis of the paint revealed why: Rousseau did not work with a pure oil medium but also mixed protein-based (tempera) media into his paint, which can remain soluble even after a hundred years. 2:43. This was carried out very conservatively, respecting the age of the work and preserving its history.



Le lion, ayant faim, se jette sur l’antilope (1898-1905) is one of the highlights of the Beyeler collection and one of the largest, most important works painted by Henri Rousseau. He is known for his richly coloured and meticulously detailed pictures of lush jungles, wild beasts, and exotic figures. 12th-century painters - Gospels of Henry the Lion - … The conservation of the painting was completed in little over a year. This was not removed because further examination showed that it might have been done by the artist himself. Being an autodidact, he was not taken seriously by the academic art scene, critics, or by the public at first. It is the first of Rousseau’s works to have found its way to the art market. Henri Philippe Benoni Omer Pétain (24 April 1856 – 23 July 1951), generally known as Philippe Pétain (/ p e ɪ ˈ t æ̃ /, French: [filip petɛ̃]), Marshal Pétain (Maréchal Pétain) and sometimes, The Old Marshal (Le Vieux Maréchal), was a French general officer who attained the position of Marshal of France at the end of World War I, during which he became known as The Lion of … Le lion, ayant faim, se jette sur l’antilope (1898-1905) is one of the highlights of the Beyeler collection and one of the largest, most important works painted by Henri Rousseau. Le Lion De Flandre Henri Conscience Sur Chapitre. Scientific examination ultimately confirmed the similarities between the overpainting material and Rousseau's original paint layer in regard to date and composition. The goal was to optimize the work aesthetically.

In order to determine the origin of the overpainting, historical photographs of the jungle painting were used for comparison. Le Lion de Flandre Henri Conscience Publié en 1838, initialement en flamand, voici un roman historique qu’on peut qualifier de la même trempe qu’un Alexandre Dumas ! 10.00 a.m. – 6.00 p.m.

Figure 1: A detail of the lower right corner of the painting shows obvious dark-green overpainting. The goal was to optimize the work aesthetically.